Friday, July 31, 2009


It has to do with the first sovereign emperor of China and an ancient army of the dead.

Raiders of the lost dimension

03 Jun

Posted by Jason as Science

terracotta.jpgThe good folks at the National high magnetic field lab have been up to some interesting stuff. See these guys?

They are covered in a pigment called Han purple that was painted on them when they were created over 2000 years ago. For whatever reason the researchers were studying this substance, and well, let’s see a quote from the article.

“They observed that at high magnetic fields (above 23 tesla) and temperatures between 1 and 3 degrees Kelvin (approximately -460 degrees Fahrenheit), the magnetic waves in three-dimensional crystals of Han purple “exist” in a three-dimensional world as per conventional wisdom. However, below those temperatures, near the quantum limit, one of the dimensions is no longer accessible, with the unexpected consequence that magnetic ripples propagate in only two dimensions. (Kelvin is the temperature scale used by scientists; zero degrees Kelvin is absolute zero, a temperature so low it is experimentally unreachable.)

The magnetic waves in the pigment exist in a unique state of matter called a Bose Einstein condensate (BEC), so named for its theoretical postulation by Satyendra Nath Bose and Albert Einstein. In the BEC state, the individual waves (associated with magnetism from pairs of copper atoms in BaCuSi2O6) lose their identities and condense into one giant wave of undulating magnetism. As the temperature is lowered, this magnetic wave becomes sensitive to vertical arrangement of individual copper layers, which are shifted relative to each other – a phenomenon known as “geometrical frustration.” This makes it difficult for the magnetic wave to exist in the third up-down dimension any longer, and leads to a change to a two-dimensional wave, in very much the same way as ripples are confined to the surface of a pond. The theoretical framework that leads to this interpretation was provided by Cristian Batista at LANL.”

What are the practicle implications for this? I have no idea, those warriors are awesome looking though.

Thursday, July 30, 2009

SPACEMEN rough cut first 40 minutes. Enjoy!

Friday, July 24, 2009

413 You Are Not A Free Man, You Are A Number

Dachau Prisoner Badges

Prisoner Badges

Work cited: Berben, Paul, Dachau: The Official History, 1933-1945, (Munich: Lipp GmbH, 1968), pp. 226-227.

Sunday, July 19, 2009

SPACEMEN trailer 2: The Fab Four

My OzSoapBox comment... posted here just in case it gets lost over there...

Jonathan Nolan Your comment is awaiting moderation.

I am not going to post here again, since it doesn’t really add anything to my day…

But at least TRY and get your facts straight before rushing in to post an article. For starters, why not be clear on who owns or works for what business? Two minutes’ work. Or is it such a good topic it’s a shame to spoil it with any facts?

As for the reposted forum posts from Pisces, whether or not they still exist in a cache or wherever else, they were defamatory, and fake- posted by people committing the crime of identity theft in fact.

Reposting them here or allowing them to be posted in the comments section is itself potentially defamatory.

Perhaps a few more hours studying law and a few less playing video games or surfing the web for pornography would stand some of the arcmchair experts in better stead.

As for claims about takedown notices being acted on- zgeek is still posting potentially defamatory material, still telling lies in public, and still playing the victim card… Despite being responsible for everything that happened. But then personal responsibility is obviously a lot less sexy to some people than dropping the c-word at every opportunity.

Saturday, July 18, 2009

Chim Chim Cheree

Chim chiminey
Chim chiminey
Chim chim cher-ee!
A sweep is as lucky
As lucky can be

Chim chiminey
Chim chiminey
Chim chim cher-oo!
Good luck will rub off when
I shake 'ands with you
Or blow me a kiss
And that's lucky too

Now as the ladder of life
'As been strung
You may think a sweep's
On the bottommost rung

Though I spends me time
In the ashes and soot
In this 'ole wide world
There's no 'appier bloke

Up where the smoke is
All billered and curled
'Tween pavement and stars
Is the chimney sweep world

When the's 'ardly no day
Nor 'ardly no night
There's things 'alf in shadow
And 'alf way in light
On the roof tops of London
Coo, what a sight!

I choose me bristles with pride
Yes, I do
A broom for the shaft
And a broom for the flume

Though I'm covered with soot
From me 'ead to me toes
A sweep knows 'e's welcome
Wherever 'e goes

Chim chiminey
Chim chiminey
Chim chim cher-ee!
When you're with a sweep
You're in glad company

No where is there
A more 'appier crew
Than them wot sings
"Chim chim cher-ee
Chim cher-oo!"
On the chim chiminey
Chim chim cher-ee
Chim cher-oo!


Performed by: Bert (Dick Van Dyke)

Written by: Richard M. Sherman and Robert B. Sherman


Blast From The Future

Over the past few days there has been a 'right hoo haa' about the Fox TV special that dredged up that old conspiracy that NASA never went to the moon and the entire thing was a fake. I honestly thought we'd passed all that nonsense, but from the amount of email that I've received debating the issue, obviously not! Richard Hoagland has just posted a wonderful report which rebutts the Fox Special - it's well worth a read so I am repeating it here for you all to read. It takes awhile to load as there are a large number of images accompanying the report.




Note - we are not able to respond to all e-mails, but we will read them

Who Mourns For Apollo?
Or --
Was It Really Only a Paper Moon?
Mike Bara
Steve Troy and Richard C. Hoagland

In the last few years, we have become increasingly alarmed as a particularly silly and damaging "urban myth" has begun to take hold. Promoted by a few well known authors such as David Percy and the late James Collier, this latest twist on the current "conspiracy nation" fad is based on a simple, if unbelievably naive and absurd notion -- that the Apollo Missions and subsequent Moon landings were faked. Admittedly, we thought this whole issue was put quite nicely to rest in August 1997, when Enterprise Mission principal investigator Richard C. Hoagland "debated" Collier on Art Bell's "Coast to Coast AM" radio program. The results of that debate can only be described as an unmitigated humiliation for Collier, who turned out to be totally out of his element and misinformed on the general subjects of space travel, physics, engineering, NASA, and Apollo itself.

Yet still, it rears its ugly head today. Even after Percy's Fortean Times article was pretty much taken apart by readers, references to the "fake" landings began to creep into popular culture, springing up in such diverse places as Jay Leno's "Tonight Show" monologue and commercials featuring ESPN's Chris Berman. Usually, the references were tongue in cheek, but when we heard that the Fox network was planning a full scale special on the issue, we decided the time had come to say something.

Let us be clear; we are all uniformly, unabashedly, "conspiracy theorists" here. We are 100 percent convinced that there has been a cover up by NASA of some extraordinary discoveries made in the course of the agency's 40 year history. That said, one thing they did not do, unquestionably, was fake the Moon landings. In fact, most of the charges made, not just by Collier and Percy, but by others who have picked up the mantle of their assertions, are so absurd, so easily discredited, so lacking in any kind of scientific analysis and just plain common sense that they give legitimate conspiracy theories, like ours, a bad name. Which may ultimately be the point after all.

Almost from the moment that Neil Armstrong and Buzz Aldrin set foot upon the Moon at Tranquility Base, the rumors began that the whole thing was faked. We have always felt that there was something a little more to this than simple stupidity or naïveté'. Something a bit insidious about the whole thing. We assumed that as time went by, the notion would weaken and falter, rather then gain momentum as it has recently. We have come to wonder, given our own stance on the whole question of what the Moon program was really about and what the astronauts really found, if there wasn't perhaps something a bit "conspiratorial" about the promotion of this patently absurd and demonstrably false conspiracy theory.

As you will see, some of these charges can actually be more easily explained not just by a complete rejection of the Moon Hoax theory, but a combination of conventional explanations and our own "glass ruins" model of the Moon. The way light scatters on the Lunar surface; the size of solar reflections in the visors of the astronauts (which are way out of proportion to their counterparts on modern day Space Shuttle missions); the sometimes secretive stance taken by the astronauts and the Agency; the very peculiar qualities of the film in the cameras taken to the Moon by the astronauts, all point to something bigger and more interesting then we have been led to believe by NASA itself. But, we suspect that the promotion of this particular idea -- that the Apollo astronauts never went there at all! -- so easily discredited (as we will do below), is designed to lessen the blow when revelations regarding what NASA has really found across the Solar System begin to happen ! ... later this very year.

If NASA is eventually forced to admit that there was more to the Face on Mars than meets the Eye, that maybe they missed something "the first three times around," or that there is truly something "ancient and extraordinary on the Moon" ... then it will be crucial to have thoroughly discredited the "conspiracy theorists" out there (read: us). Remember, it is our position (and has been for some time), that this millennium cycle, the 2000-2001 period, is the beginning of an ongoing pattern of disclosure. Up to now, we had assumed that this would some in a series of significant revelations, of outright announcements that things are not quite what we had been led to believe. But now, we suspect that there will simply be a series of much smaller releases -- like simply taking a new image of the Face on Mars and releasing it without comment -- and pretending that the "Eye" isn't there staring back at them. If enough people can be convinced by this deliberate disinformation campaign that "there are no NASA conspiracies" -- by the deliberate promotion and then effective debunking of obviously bad conspiracy theories like "We Never Went To The Moon" -- then it will be much easier to sell the idea that NASA "just missed a couple of things" on those Mars pics all those years ago. And certain people, deeply implicated in the cover-up, will neatly escape the consequences for their theft over more than forty years of our entire space program!

So this then appears to be the political agenda. We plan to "scotch this thing once and for all" -- as a JPL spokesman was heard to say about the "Catbox" image of the Face on Mars -- in order that we might make clear the differences between what we have alleged, and the way the powers that be would like you think about all things conspiratorial.

In this article, we will try to sort out the most common claims being made, highlight the rebuttal evidence, and show that the Moon landings were something quite extraordinary after all. Some of the details concerning these issues are beyond the scope of this article, however, and we plan to follow up with more specifics at a later date.

There are three major thrusts used by the fake landing advocates to bolster their claim: first, that the radiation exposure suffered by the astronauts was not survivable; second, that the photographic evidence "proves" that the landings were staged in a Disney movie studio somewhere; and third, that the mechanical aspects of the mission -- the pure mechanics and physics of the journey -- are not as claimed and therefore must be faked. As you will see, each of these is based on misinterpretations, misrepresentations, or just plain ignorance of the realities of space travel. It is not a coincidence that many of the "believers" in this myth are too young to literally remember the Moon landings. If they had been old enough to watch the actual missions, especially on live TV, they would have known that most of these claims are poppycock. For this article, we will deal with each of these claims in separate sections, and try to directly address the key sub-claims being made.


Percy is one of the primary drivers of this particular set of claims, but Collier and others have added to it. Let's list a few of the claims one by one and address them.

ISSUE 1 - The shadows don't fall right in images taken on the Lunar surface, proving that there are are multiple light sources, like professional stage lighting using high-powered lamps. Since the Moon has only one light source, the Sun, these images (these people claim) "have to have been shot on a sound stage somewhere."

This one is usually based on images like the one above (taken from an Apollo 17 TV transmission), that seems to show the shadows of the astronauts coming from different lighting sources. However, a logical approach to this problem reveals that there is nothing at all mysterious about either the shadows or the light sources. If, in fact, the shadows were cast by different light sources, wouldn't each astronaut have two shadows, instead of just the one each we see here? Of course they would. Yet, in the images the "Moon Hoaxers" cite, there is consistently only one shadow being cast, indicating that the Sun is (as it should be) the dominant light source.

So, how to explain the seemingly divergent shadows in this image? If you look closely, you will see that the astronaut on the right is on a slight rise above the astronaut on the left. This has not only the effect of lengthening his shadow, but also if the slope is greater in one direction, say to the left of the astronaut on the right, it will tend to flow and elongate in that direction.

It's important to keep in mind that the Moon has a very rough and uneven surface, with lots of slopes, rises and potholes. As a result, many of the shadows will appear to be non parallel. Invariably, the Moon Hoax advocates will compare these lunar images to flat, smooth terrestrial landscapes, like this one below from David Percy.

In a sense, the Moon Hoax advocates are correct here; there is no comparison to be made from Lunar landscapes and terrestrial ones. But it is because the surface of the Moon is so uneven, not because there are multiple light sources, i.e. lamps, casting the "wrong" shadows.

Also at issue is the photographic equipment used by the astronauts on the lunar surface. Shortened wide-angle lenses, like the ones on the hand-held Hasseblad 70mm cameras used by the astronauts, will distort otherwise parallel shadows. Simply pull some outdoor photos from you own personal collection and see for yourself.

Apollo 12 astronaut Alan Bean with Hasselblad camera on the surface of the Moon.

ISSUE 2 - The foreground of many images of the astronauts on the Moon are filled in with light, while the shadows remain absolutely black, again proving that there are multiple light sources.

In this one, the argument is that with his back to the sun, the astronaut's suit should be as dark as his own shadow stretching out in front of him (see Apollo 16 image, above). Since there is no light diffusion in an absolute vacuum, NASA "must" have used reflectors or "fill-in lamps" to illuminate the astronaut for this photograph. The truth is, there is evidence of a "reflector" in this image -- but it is the lunar surface itself! Obviously, the lunar surface is a fairly bright gray color. It is known, from the Apollo samples brought back and analyzed in Houston, to contain a LOT of glass beads, with a lot of reflective and refractive minerals in it. All of these materials tend to be kick light directly back toward the source of illumination with very high efficiency, in this case the sun. This is one reason why the Full Moon is so much brighter (than other phases) in the night sky; the sun's "behind" the Earth. The effect of the sunlight hitting the lunar surface and being reflected back toward the sun itself creates a "backscatter" that fills in the astronauts bright white shadowed suit with excellent "fill-light." And the fact that the shadow is so dark on the ground in front of him is proof of exactly the opposite of the claim being made by the "Moon Hoaxer" crowd. It shows that indeed, the astronaut is standing upright in a harsh vacuum, where his suit can "see" the illumination from the surrounding lunar landscape. By stark contrast (pun intended ...), almost no light at all has seeped into the shadow ... because it's lying flat on the ground and cannot "see" anything but black space overhead! It is, as it should be, extremely dark and sharp.

Interestingly, as to the question of multiple light sources, some of the leading debunkers of the Moon Hoax theory have also made a very significant mistake. It is flat wrong, ,as many of them have stated, that the Earth is a "very significant" light source on the Moon. When full, the Earth is on the order of 68.4 times brighter than a full Moon as seen from Earth. It also takes up something like 13.5 times as much sky. But that's not the whole story.

The Earth is -- maximum -- 100 times the brightness of a Full Moon (we're going to overestimate a bit to prove the point). The apparent magnitude (brightness) of a Full Moon is about -13. The equivalent magnitude of the Sun is about -27. Subtracting, that's a difference of 14 magnitudes. Since each 5 magnitudes corresponds to a factor of 100 in brightness, a difference of 14 magnitudes corresponds to almost 100 X 100 X 100, or a factor of a million! Allowing for the ~100 times greater reflected brightness of the Earth (at "Full Earth"), the direct lunar sunlight is still ~100,000 times brighter than the Earth's illumination.

There is NO WAY that the slide films used by the crews (even the "super film" developed by EG&G, see below) could have detected that feeble "Earthlight" on the lunar surface, even in the shadows, with exposures set for the sunlit view.

Of course, we have our own thoughts on this. Some of the debunkers must be realizing that backscatter is insufficient to account for some of what we are seeing on the lunar surface photography. To come up with an explanation, they have resorted to the (obviously incorrect) "Earth light" angle. But it is of course, more interesting than that. Read on.

ISSUE 3 - There are no stars in the background from pictures taken on the Moon.

This one keeps coming up, but the answer, while obvious, is somewhat complicated by our own lunar conspiracy theory. Usually, Moon Hoax advocates cite any number of pictures of the lunar surface showing an absolute black background, but this one above of John Young saluting the flag in front of the LM "Orion" is quite prevalent. Anyone with the slightest knowledge of photography can easily put this one to rest. Any brightly lit foreground object must be photographed with a very short exposure time. Otherwise, the image will be badly overexposed. Any background pinpoint light sources -- like, say, stars that are a literally trillions of miles further away -- will not show up at all. Likewise, if the photographer wants to capture the background stars, he is going to have to use a very long exposure time, which means that the foreground will be totally washed out in one blob of overexposed light. Obviously, there would be no real benefit to taking such an image, since the point of the lunar surface photography was to document the activities of the EVA's on the lunar surface -- not to stargaze.

This whole process is complicated by the fact that in a vacuum, the problem is made even worse, the light far more intense, and the exposure must be even shorter. The Moon Hoax advocates also seem to have forgotten that they are basing most of their "analysis" on press release photos, which are invariably cleaned up before release to the press. So of course, these sanitized press kit images would reflect what we all would expect to see, an absolute black background.

Which brings us to our own thoughts on the Moon and lunar photography.

Contrary to what the Moon Hoax advocates have been saying, the sky above the astronauts should be absolutely black. And in fact, on most of the prints they have been looking at, web based images, press release photos, and even new prints from the archives, it is. The problem is that while the sky should be absolute black, and does appear that way in images presented by by the Moon Hoax advocates, it most demonstrably is not absolute black in the images examined by Enterprise Mission investigators.

As you know, a few years ago Enterprise principal investigator Richard C. Hoagland was approached by former NASA flight instructor Ken Johnston, Jr., and supplied with a set of extraordinary first generation prints of Apollo lunar photography which had remained untouched for nearly thirty years since he obtained them from inside NASA. What these prints showed was quite another story -- that the sky above the astronauts was far from blank -- it was in fact filled with a strange, bluish, geometric set of ruins.

fake18.jpg (253504 bytes)

So the problem is exactly the opposite of how it is stated by the Moon Hoax advocates. The sky should be black, but it isn't.

One amusing sidelight of this Aopollo 16 photograph is that it is used on several web sites as "proof" that many of the pictures taken on the Moon are fake, since John Young "... is casting no shadow at all!" on the lunar surface. In fact, all it really shows is how dumb most of the Moon Hoax advocates really are. If you actually look at the picture, you will see that Young is casting a shadow ... to the right side of the picture a few feet away. How can this be? Why is the shadow not "attached" to young's feet?! Well, because in this famous sequence, John Young is leaping into the air as he is saluting, while Charley Duke snaps the photo. Many Moon Hoax advocates, too young to have actually watched this all on live television, look at this picture and mistakenly believe that Young is standing on the slight dome shaped rise in the background, when in fact he is in midair (well, OK, mid-vacuum). This famous sequence is also a good way to show that the astronauts are indeed in ! the one-sixth gravity of the Moon, since in order to get this kind of elevation on Earth (especially with the bulky, several hundred pound spacesuit and backpack on), Young would have to have the leaping ability of Michael Jordan! For those interested, I can highly recommend the excellent NASA video series "Apollo - Mission to the Moon" which sshows film of this famous live TV sequence.

ISSUE 4 - In some images, a huge light source can be seen reflected in the astronauts visors. This has to be a very bright, nearby source.

Apollo 17

fake19.jpg (71874 bytes)
Apollo 14

This argument is essentially a variation of the first argument. Occasional images, like the ones above (taken from the Apollo 17 EVA TV transmissions and Apollo 14), seem to show a very bright, huge light source taking up almost 25% of the astronauts visor. Moon Hoax advocates argue that this is proof of a large light source (a stage flood or a spot, again) positioned very close to the astronauts. What they are missing here is essentially the same geometric problem they missed with the "bent shadows" argument. As you can see from the previous image of Alan Bean (above), the gold-covered helmet visors that the astronauts wore were very convex shapes -- similar to automotive wide-angle side mirrors included on many current models (" Warning: objects may be closer than they appear ..."). Like the surface shadows in the earlier images above, this curved helmet has the effect of severely distorting the reflections, making them appear much smaller (and thus farther away) than they actually are.

The problem: the sun, in the lunar helmet reflection pictured here, appears much larger (and therefore closer!) than it possibly could. Our explanation for this remarkable observation is firmly grounded in our investigation of the REAL conspiracy that NASA has worked so hard, for over 40 years, to cover-up: the presence of ancient, glass-like ruins on the Moon. It is these ruins, sticking up above the lunar horizon and physically intervening between the low-angle sun and the Apollo astronauts roaming across the surface, which create the magnified halo of scattered light seen in the gold visors. Since this area of "forward scattering" is much larger than the optical size of the sun itself, it makes the "reflection" appear disproportionately larger -- even in the curved gold visors -- than the view of a similar reflection of the sun from Ed White's helmet, photographed in Earth orbit on the Gemnini 4 mission in 1965 (photographic comparison, below).

fake-helmet.jpg (74794 bytes)

ISSUE 5 - There are no views of the Earth in pictures taken from the Moon.

This one also is just plain wrong. Collier was among the most enthusiastic promoters of this mistaken notion, based on studying only a few press release photographs from NASA. Below is an Apollo 17 picture (on the left) of a large boulder, with the Earth in the background, taken by an astronaut with a hand held Hassleblad 70mm camera (the same camera which took the photograph of Gene Cernan, with the flag and Earth, above). Below right is a hand-held 70mm Hasselblad picture taken by Apollo 11 astronaut Michael Collins, as the Eagle approached the CSM for the return trip home. Since all the non hand-held pictures taken on or at the Moon were using something other than 70mm transparency film, these photos had to have been taken by a human being -- an Apollo astronaut -- physically present either on the Lunar surface or in space around the Moon.

fake-boulder.jpg (51123 bytes)

fake-LM.jpg (30360 bytes)

ISSUE 6 - How could NASA take TV images of the LM ascending on Apollo 15, 16, and 17 if there was no one on the Lunar surface to man the camera?

Now, most of these charges are pretty dumb, but this one really has to take the cake. As you can see from the collection of images above (from two different missions) on the later Apollo missions (15-17) the astronauts left the TV camera pointed at the LM so that viewers on Earth could watch the liftoff. Initially, the camera was unable to track the ascent stage as it rose into space, but by Apollo 17, NASA had figured a way to get the camera to track upward and follow the spacecraft. So the answer to this one is also simple and obvious -- the camera was remotely controlled from Earth.


Most of these claims come from James Collier's "Was it only a paper Moon?"

ISSUE 1 - The astronauts could not have egressed and ingressed the LM because they could not fit through the hatch and there was no room to even open the hatch in the LM.

It's hard to know just how to respond to this one beyond simply stating that it is wrong. As you can see from the artists concept below, the astronauts were positioned on either side of the central cockpit panel, with the main EVA door between them. There was in fact plenty of room to open the hatch. On Apollo 11, Armstrong would have been manning the left position in this view and Aldrin the right. The door was latched to Aldrin's side, necessitating that the door be swung open inward, and effectively "trapping" Aldrin momentarily on his side of the LM. In fact, this is the main reason that Armstrong egressed first. Once he was out, Aldrin was able to close the hatch, move over to Armstrong's position, and exit himself.

As to the issue of whether the astronauts could fit through the hatch, as you can see below, they must have. This is an image taken from a film shot by Armstrong of Aldrin egressing the Lunar Module. The entire sequence is available from the NASA archives, and shows the whole procedure from start to finish, including Aldrin opening the hatch and crawling through it.

Furthermore, if it turns out that the astronauts could not fit through the hatch, this will come as quite a shock to our friend and contributor Ken Johnston, Jr. He spent many hours in the vacuum chamber at Houston, fully suited up including the backpack, crawling in and out of the full scale mockup of the LM, to test exactly that. He'll be very upset to learn that he wasted all that sweat for nothing.

ISSUE 2 - The Lunar Rover was too big to fit in the LM.

Well, this is strictly true if you take the measurements of the Rover when it was fully deployed and assembled. However, the Rover came packed into a very tight little package which fit neatly into the space provided in the LM.

When the astronauts got the Rover out, all they had to do was pull on two nylon cords and the Rover popped right out of its berth and down to the lunar surface. As it did so, the wheels, which were folded over (as you can see in the photograph above) deployed outward and were then locked into position. The main purveyor of this claim that the Rover was too big to fit into the LM is Collier, who took his measurements by going to the Johnson Space Center (where there is a full scale mockup of the Rover in it's deployed configuration) and then compared those numbers to the containment bay on the LM. Anybody with a rudimentary knowledge of engineering could have figured this one out -- simply by looking at the hinges which allowed the wheels to fold out when deployed (there are no "tires" -- they are very cool wire mesh construction). This whole aspect of the controversy could have been avoided by a trip to the film archives or viewing the video series mentioned before, Apollo - Mission to the Moon. Both have footage from the Apollo missions showing the astronauts actually deploying the unfolding Rover on the Moon.

ISSUE 3 - The astronauts could not get from the Command module to the Lunar module with their space suits and pack on.

Again, strictly true. They never did go from the CSM to the LM and back with their packs on for one very good reason -- they didn't have to. The packs were stored in the LM the whole time. Beyond that, they did not wear their packs at all until they actually went out on their EVA's. As you can see from the LM cockpit interior concept above, this was always the intention. In fact, and image taken by Armstrong of Aldrin right after touchdown shows this was indeed the case.

ISSUE 4 - There can't be any pictures taken on the Moon because the film would melt in the 250° temperatures.

Any normal film exposed to 250° would indeed melt at that temperature. There are only two problems with this Moon Hoax claim -- this was no ordinary "Ektachromme" film, and it was never exposed to those kind of temperatures in the cameras.

The 70mm film used in the Hasselblad cameras the astronauts carried was a very special transparency film designed specifically (under a NASA contract) for hostile environments like the Moon. According to Peter Vimislik at Kodak, the film would at worst begin to soften at 200° F, and would not melt until it reached at least 500° F. So, a worst case scenario of 250-280° F for a totally uninsulated, non-reflective camera, would still be well within the films operational parameters. The film itself, in terms of its light-gathering abilities, was also quite amazing (in striking contrast to the uninformed claims of the debunkers). It was a special "extended range color slide film" called "XRC, that allowed the astronauts to take perfect "National Geographic" quality pictures on the lunar surface, even though they were hardly experienced photographers. This has truly opened up whole web pages of controversy -- with the Moon Hoaxers claiming that such a film simply doesn't exist! In fact, Enterprise Principal investigator Richard C. Hoagland actually used many rolls of this "super lunar film," back when he was advising Walter Cronkite at CBS. His personal story of the film's development, its inventor, and how NASA cleverely hid its very development from everyone, will be detailed in a future segment of this series. Suffice it to say, more than thirty years after the first manned lunar mission, many of the features of this amazing film are only now finding their way into the commercially-available color emulsions used in today's modern day 35mm and 70mm non-digital cameras

As you can see from the image of Alan Bean above, the cameras were also protected inside a special case designed to keep them cool. Although it is true that in the direct, airless sunlight the temperature can reach upwards of 250° - 280° Fahrenheit, precisely because there is no air, it's fairly easy to keep cool. The situation is a lot different than in your oven, for instance. With no convection or conduction, the only type of heat that is of concern is radiative. The best way to reflect radiative heat is to wrap the object (like a camera of person) in layers designed to reflect as much heat as possible, usually by simply being white. As you can see from the images above, most all of the astronauts clothing and the camera casing were indeed white, which very efficiently directed heat away from the both the astronauts and camera film.

ISSUE 5 - The LM engine was very powerful. How come it did not leave a crater below the spacecraft? Why didn't it kick up any dust when it landed?

The truth here is once again very straightforward. At all of the landing sites, the astronauts found that the Lunar surface had about a two inch layer of dust. Below that was pretty much hard pan. As you can see from the image below from Apollo 11, not only is the upper layer of dust blown away in a radial pattern (as if from a thruster?) there is also a small depression below the nozzle. Since the LM descent engine only made about 3,000 pounds of thrust (compared to a modern jet fighter which makes between 18,000 and 22,000 pounds of thrust), this is pretty much as any engineer or geologist would expect things to look.

And, as this picture from Apollo 12 shows (below), the LM did leave a strikingly clear, "discolored" ground track (when photographed at right angles to the sun) as it descended to it's final resting place across the Lunar surface.

And what of the charge that no dust was kicked up by the LM as it descended? Again, we'd recommend any of the fine NASA video's on the Apollo program. They show that in each and every case, the LM did indeed create a literally blinding swirl of dust blown radially outward from under the descending LM, as it groped its way down, balanced on its 3000-lb thrust engine, to it's final lunar resting place. You simply have to be willing to find the films and watch them.


ISSUE 1 - The astronauts could not have survived the trip because of exposure to radiation from the Van Allen belts and other sources.

Actually, of all the issues put forth by the Moon Hoax advocates, this is the one that requires the most digging into. The Van Allen radiation belts are a pair of torroidal shaped belts of high-energy electrons and ions trapped in the Earth's magnetic field. The inner region is centered at about 3000 km above Earth and has a thickness of about 5000 km. The outer region is centered at about 15,000 -- 20,000 km above the surface of the Earth and has a thickness of 6,000 -- 10,000 km. As you can see from the extract below, the radiation in the belts was of some concern to the scientists working on the problem. However, they actually considered a rogue solar flare to be a much bigger problem.

In fact, as stated in this official government report, the scientists working on the problem of Van Allen radiation considered it to be minor compared to other design hurdles to be conquered. Their solution was simple -- avoid exposure by keeping the spacecraft at low Earth orbit altitudes while in parking orbits and then send it through the belts at high speed. The eventual escape speed, some 25,000 miles per hour, would have passed them through the belts in less than an hour, keeping their dose well below 1 rad. There was a modicum of shielding from the equipment, but in the end this was not necessary as the extraordinary transition speed kept the dose below harmful limits -- both going to and returning from the Moon.

As to the issue of solar flares and the danger they presented, there simply weren't any major ones during any of the Apollo missions. So the biggest reason that none of the astronauts died from their radiation exposure was that they simply did not get a bad dose to speak of. Readers wanting more information on this issue should read NASA Technical Notes - NASA TN D-7080, Apollo Experience Report - Protection Against Radiation by Robt. English, Richard E. Benson, J. Bailey, and C. Brown, --Manned Spacecraft Center, Houston, March, 1973.

Ultimately, all of the claims made by the Moon Hoax advocates are easily explainable with a little research, common sense or just a plain good memory of what happened back during the Apollo program. While we remain fiercely critical of the NASA hierarchy in general and certain members of the Apollo team in particular, we should not let that get in the way of our undying admiration for the rank and file men and women, scientists and engineers, who pulled off the most amazing feat in human history -- the Apollo program. To give these silly claims attention, as Fox is now doing, is an insult to those who sacrificed, some with their lives, to get man to the Moon.

And what's worse is that regardless of the stance that Fox takes on this issue, by focusing attention on a silly and unsupportable series of claims like these, they are painting all "conspiracy theories" with the same brush. We find the timing of this, just as NASA is beginning to lift the veil of secrecy around the Face and other artifacts on Mars, a bit "convenient." What better way to put forth the "honest but dumb" model ("gee, it does look like a Face after all!") than to convince everyone that there are no conspiracies, or at least no serious and sober conspiracy theorists. For this reason, we will continue to focus on the worst of the conspiracy theories when we are forced to do so. We plan to follow up this report with a bit more detail at later date, and hopefully, that will be the last time we will have to address this entire silly issue.

Friday, July 17, 2009

Sweet is the harbour, but Death is the ferryman, Part One

Charon and Hades.

Ferryman across the River Styx, and Lord of the Underworld.

Charon, as with so many ancient figures of deepest importance, has a name that is shrouded in mystery. Ever eager to explain their borrowings as native invention, the Hellenes (ancient "Greeks" although since they could sport natural red or blonde hair they weren't quite the same race as today's Greek) played word games to make a Hellenic meaning for Charon, such as "keen eyed", "grey-eyed" or even through puns "swift to anger" or "relentless".

In point of fact it is most likely a word or proper noun at least based on one of the two great sources of "inspiration" for Greek culture, Egypt or Mesopotamia.

Why does that matter? It matters for the same reason that the obscuring of Akhenaten as Oedipus matters- it hides not just a distant origin but also the true mythic meanings invested in the story.

If Charon is from Egypt or Mesopotamia, it means the River Styx is also from Egypt or Mesopotamia, mutandem mutandis. In the same way that everything that confuses about Thebes in the Oedipus "myth" (history) falls into place when EGYPTIAN Thebes is understood as what is meant.

Charon is universally treated as a disgusting older male being with a long unkempt beard and a dirty ragged attire bound with a belt. Greasy, filthy, almost a vagabond figure, but with glowing or burning eyes. Not, one would imagine, the most pleasant of entities.

If Charon really does come from, let's say, Egypt, then logically he will be associated with other "borrowings" from Egypt... And such is the case. Charon is linked not just to the Styx and to Hades but importantly also to Hermes, the "messenger of the gods" who, just like Apollo the "sun god" is rarely if ever associated particularly with his supposed primary attribute. Hermes is most often associated with thieves, magic, crossroads and secrecy. He is also linked to Charon and Hades. Thus we might see a trinity-

Hermes (closest to the outer world of the living)

Charon (lurker on the threshold)

Hades (ruler of the underworld)

If the name Charon is too obscure, Hermes at least might be better identified amongst the Egyptian "gods". I put the word "gods" in quotes because what is most often translated as "god" in ancient Egyptian (as for the race, see my comments about the Greeks- Rameses II had natural red hair) would be better translated as the much less loaded term "wonder worker". Hermes has already been traced into Egypt and almost into the Bible for that matter.

Hermes as Thoth?

And Charon- as the mouth of hell or the mouth of the otherworld? Is that why charon has an unkempt beard / pubic hair patch? Is that why he is greasy or food-stained? Is Charon an opening, or "Chao?"

And then there is Hades.


by Micha F. Lindemans
Hades is the lord of the dead and ruler of the nether world, which is referred to as the domain of Hades or, by transference, as Hades alone. He is the son of Cronus and Rhea. When the three sons of Cronus divided the world among each other, Hades was given the underworld, while his brothers Zeus and Poseidon took the upperworld and the sea respectively. For a while Hades ruled the underworld together with Persephone, whom he had abducted from the upperworld, but Zeus ordered him to release Persephone back into the care of her mother Demeter. However, before she left he gave her a pomegranate and when she ate of it, it bound her to the underworld forever.


Hades sits on a throne made of ebony, and carries a scepter. He also has a helmet, given to him by the Cyclopes, which can make him invisible. Hades rules the dead, assisted by various (demonic) helpers, such as Thanatos and Hypnos, the ferryman Charon, and the hound Cerberus. Many heroes from Greek mythology have descended into the underworld, either to question the shades or trying to free them. Although Hades does not allow his subjects to leave his domain, on several occasions he has granted permission, such as when Orpheus requested the return of his beloved Eurydice.

Hades possesses the riches of the earth, and is thus referred to as 'the Rich One'. Possibly also because -- as Sophocles writes -- 'the gloomy Hades enriches himself with our sighs and our tears'. Of all the gods, Hades is the one who is liked the least and even the gods themselves have an aversion of him. People avoided speaking his name lest they attracted his unwanted attention. With their faces averted they sacrificed black sheep, whose blood they let drip into pits, and when they prayed to him, they would bang their hands on the ground. The narcissus and the cypress are sacred to him.

Other names include Clymenus ('notorious'), Eubuleus ('well-guessing') and Polydegmon ('who receives many').

The name "Hades" apparently means the unseen, based on nothing stronger than that the context of the name infers this meaning to it. In other words, the name is supposed to be in a perpetual state of tautology, in the same way that the proper name Caesar came to be itself a word meaning king. Hail King Caesar indeed.

If we drop the H in Hades as an aspirant and leave it standing as Ades, and keep in mind that the -es ending is a local linguistic flourish, we have the name Ad for the ruler of the dead, which is not a light year away from various Celtic names beginning with the all important A letter and all referring to the Lord of the Underworld. Might it be one of the earliest of all human words for anything? Might this truly be a syllable in the primaeval mother language, based on the onomatopoeia of someone's terminal cry of fright or agony? "AAaaahhhh" ??

As a footnote to this first part, if you want to see a textbook (literally) example of not only idea theft but also pointless obfuscatory persiflage to disguise a lack of deeper understanding, look up the word MYTHEME on wikipedia.

SPACEMEN comicbook

Waiting for the rendering to end... :)

Thinking about the comicbook, it turns out it's going to be cheap enough to do so that a floppy as well as a graphic novel is conceivable. I think... Both. In keeping with the Silver Age vibe, although there were a tiny handful of graphic novels in all but name through the Silver Age the concept hadn't actually caught on at that point, so we'll do a regular movie adaptation issue and an Annual, with the Annual being the graphic novel.

I think the storyboards etc. of some of the expanded universe stuff that builds on the original film should be done in a variety of styles in the Annual and the floppy should just be a true Silver Age comic, racing through the story with art bursting from every panel. Just have to find the right guy or lady for the project as artist. :)

Star Trek In The Park.

The Solar Satellite: Grim.

Thursday, July 16, 2009

Things To Do Whilst Waiting For Objects To Render

1. Rename vampire movies by replacing the word Dracula with the words Michael Jackson.


Brides of Michael Jackson
Michael Jackson Has Risen From The Grave
Blichael Blackson
Michael Jackson versus Frankenstein

and then there are the ones that don't feature Dracula in the title so you can leave the titles alone.


The Lost Boys

SPACEMEN pictures (from the rough cut)

SPACEMEN pictures (from the rough cut)

SPACEMEN takes place in an alternate (but pretty similar) 1967 AD, where public space technology is a little more advanced. Doctor Curtis Temple, his assistant and lover Lee Mason and his offsider Alan Mollay are called in to investigate a strange coordinated landing of "meteors" in Cornwall, UK.

It soon proves to be nothing less than the vanguard of an alien invasion!

The aliens unleash horrors on the local population whilst Dr. Temple does his best to fight them as a one-man scientific army, until he finally enlists the aid of some allies and tries to turn the tide of battle against the alien invaders...


Freaky number- it was the Alexa page ranking for the blog... The symmetry is obviously conspiracy kryptonite for the synchromystically addicted, although to me it just seemed lucky- 88 and 88 duplicate the good luck 8 / infinity of course and if 11 is unlucky then the double 88 brackets and contains it. Also one set of 88 would cancel out the 11 leaving a "spare" 88 to give good luck! :)

This sort of thing is why I usually stay clear of numerology. It seems to have a powerful effect on the weak minded, and for me I just see it as a big distraction. It clearly reveals some of the inner workings of the universe, but not in a way which is particularly useful, and as another form of potentially addictive behaviour- number watching- I just think most people should give it a wide berth. If they can't read without their mouths moving, they shouldn't be toying with fundamental forces.

SPACEMEN trailer (rough cut of opening credits)

Wednesday, July 15, 2009

delenda Carthago est

See post title. :)

Ultimate 9/11 Movies - The List - #3: The Usual Suspects

Usual Suspects: Great Film.


The Diamond spread reveals the dynamic forces at work in a situation. It is the spread of choice for understanding a hidden conflict. Spirit Runes are most commonly used for questions about mysticism, spirituality, and religion.
The bottom rune represents the foundation that forms the basis of the issue. Raido means to ride. In this rune, the image is not so much the riding of a horse as in riding in a cart or as cargo. As such Raido may suggest a journey, but is much more indicative of communication. Alternate interpretations based on the use of Raido as a cognate in other words give it the meaning of council, judgment, and moral correctness. Therefore, this rune is the rune of wise advice and good leadership.
The left rune represents one of the forces acting on the issue at hand. Perth, the rune of chance and gambling has been drawn reversed. This can have many possible meanings. It could represent secrets revealed or mysteries uncovered. It could be a warning against gambling - now might not be the time to take a chance.
The right rune represents another of the forces acting on the issue at hand. Thurisaz represents a thorn, the most basic of barriers to our boon or our bane. In the case of hedges, thorns protect our encampments from that which skulks towards us from the outlands. In the case of rosebushes, thorns keep us from beauty. Though thorns are passive and have no thoughts, they puncture, tear, and may even be poisonous. Hence, this rune may also represent irrational violence and anger.
The top rune represents the conclusion to which your strivings can carry you. Sowelu is a strong symbol, for it represents the sun. Unlike equatorial cultures who may see the sun as a harsh and imperial force capable of causing droughts, in the cold north the sun is a purely feminine force that gives life and allows crops to grow. In dark times, this rune represents clarity of sight and the victory of good over evil. Sowelu is irreversible, as the cycles of the sun and seasons are perpetual.

Today's I Ching

Yin (Old)
Yin (New)
Yang (Old)
Yin (New)
Yin (Old)
Yin (New)
The present is embodied in Hexagram 16 - Yu (Enthusiasm): In this state, feudal princes and other delegates may be set up, and the hosts put in motion, with advantage.

The second line, divided, shows one who is firm as a rock. He sees a thing without waiting until it has come to pass. With his firm correctness there will be good fortune.

The fourth line, undivided, shows him from whom the harmony and satisfaction come. Great is the success which he obtains. Let him not allow suspicions to enter his mind, and thus friends will gather around him.

The topmost line, divided, shows it subject with darkened mind devoted to the pleasure and satisfaction of the time. If he change his course even when it may be considered completed, there will be no error.

The situation is shifting, and Yang (the active masculine force) is gaining ground.
Yang (New)
Yin (New)
Yin (New)
Yin (New)
Yang (New)
Yin (New)
The future is embodied in Hexagram 4 - Meng (Youthful Folly): There will be progress and success. I do not go and seek the youthful and inexperienced, but he comes and seeks me. When he shows the sincerity that marks the first recourse to divination, I instruct him. If he apply a second and third time, that is troublesome, and I do not instruct the troublesome. There will be advantage in being firm and correct.
The things most apparent, those above and in front, are embodied by the upper trigram Chen (Thunder), which is tansforming into Ken (Mountain). As part of this process, movement, initiative, and action are giving way to stillness and obstruction.
The things least apparent, those below and behind, are embodied by the lower trigram K'un (Earth), which is transforming into K'an (Water). As part of this process, docility and receptivity are giving way to danger and the unknown.

Hitler Youth: Now we have the internet to do it for the slavers

Hilter Youth Mind Contol

How Did Hitler Control His Youth?

Do you see this picture of children so strongly cheering their leader, Adolph Hitler? How did Hitler control these young people? Could this happen again today? If we learn how Hitler was able to control his youth, then perhaps we can help to prevent a repeat of such Nazi-style mind-control brainwashing in the future.

Germany, of course, rose from the ashes of World War I, ("The War to End All Wars"), as both a democracy and a country that was heavily in debt. Inflation was rampant. Social problems were also rampant. Hitler promised to fix his Germany and restore the "respect" that many Germans thought was so unjustly taken from them by the Armistice marking the end of World War I.

Hitler also wanted to build a "master race". The children of Germany were viewed by Hitler as his future hope for such a success. Children were also more naturally teachable and would therefore be more easily molded by Hitler than older adults. Many of these adults also remembered living under democracy, and therefore might not be so easily fooled by Hitler's lies against democracy. Children could also be a future asset in his war efforts, since Germany was still a small country going up against the combined military forces of most of the world. These children could become his future soldiers and leaders of his "Third Reich", an empire which was to last for a thousand years.

How Did Hitler Control His Youth

(1) Hitler used his image as a father figure

In the traditional German home, the father was the one in control. The rest of the family was expected to always obey the father -- to obey their father "without question". By projecting such a "father" image before the children of Germany, Hitler was able to transfer power from the institution of the home to his own social and political institutions. Hitler also persuaded "his" children into thinking that, since Hitler was their "father", this also meant that he also cared about them, and about their future. Of course, Hitler actually only cared about one man -- himself. Hitler's Youth were just his "pawns" in his great political and military scheme to take over the world.

(2) Hitler extinguished dissent

Children were only allowed to hear one view of Hitler - the positive view. This was especially true after 1933, when Hitler became the undisputed leader of Germany. After 1933, Hitler was able to silence all public opposition against him and thereby gain even more influence, (including more influence over the children). Anyone who disagreed with any of Hitler's ideas was immediately considered to be "suspect" and might therefore get a knock on the door late at night and be "shown the door" to his or her own house, (or even worse, I might add).

(3) Hitler used an organized program to keep his kids occupied

Hitler used his now famous "Hitler Youth" program as a kind of "Boy Scouts" for the training of children to obediently follow him, and to prepare them to become his future soldiers. He learned that "youth's loneliness" could be used as a powerful tool to influence (and then gain control) over these young, impressionable kids. Hitler therefore tried to keep these children busy, keeping them organized so that they would not be "lonely". (By the way, the current Pope of Rome, Joseph Ratzinger, was also kept busy as a boy as a part of this same "Hitler Youth".)

(4) Hitler made certain that children were kept as ignorant as possible

Generally, the more ignorant children are, (or adults for that matter), the less apt they are to question the validity of their leader's claims of authority. Therefore, Hitler made sure that these children did not learn any information that was not "needed" by them. These kids were also instructed never to "think for themselves". No, such thinking for one's self was considered to be very "dangerous thinking" and therefore "suspect".

Such children were also not to read any books or listen to any radio programs that might "confuse them", (i.e. anything other than Hitler's propaganda programs.) Nevertheless, Hitler made sure that these children always had the "proper information" that they needed, (i.e. as little as possible, in order to always keep his children as ignorant as possible.)

(5) Hitler gathered the children into frequent rallies

Large groups of children congregating together in youth rallies can have a strong peer pressure effect in strengthening the grip of an authority figure. This is especially true when loud music and many standing ovations are made a central part of this control effort, (as in the picture above). In such rallies there would be strong peer pressure for children to conform to the "Hitler worship" which their peers exhibited. Winston Churchill once passed through one such Hitler rally while visiting Germany. Churchill was both shocked and quite dismayed by what he saw in this rally filled with loud music, and many standing-ovations.

(6) Hitler used uniforms

By enforcing a dress code, (as can clearly be seen in the uniform shirts and ties of those in the above photograph), Hitler's youth were taught to act and think the same, namely to "believe without thinking". They were taught to have "blind faith" in whatever Hitler told them to believe. The mandating of the wearing of ties and other such dress codes was therefore used to help reinforce such "uniform thinking" among his youth.

(7) Hitler used the Jews as a focus of blame

Children are often simplistic. Hitler was able to use this simplicity in his blaming of the Jews for many of Germany's social problems. Jewish families were often "shown the door" in his society, (or worse still, shot or herded into "camps" like Auschwitz). Jews and their families were made to take the blame for any problems that Germany faced, and therefore they suffered under great persecutions by Hitler. These frequent public persecutions of "troublemakers", therefore helped Hitler to control his youth. (In the book "1984", children were given certain people to blame for their problems, often Jewish people, so that they would not rightly blame "Big Brother" for those same problems.)

(8) Hitler believed that having too much money was a real problem for children

Hitler thought that money was a problem for children for many reasons. One of these reasons was that children might buy things with money that might get them into "trouble". For example, such money might be used to purchase foreign books or other items which might tend to erode Hitler's base of authority in his country. Hitler also wanted as much money as possible to support his war efforts to destroy Churchill, (and anyone else Hitler disagreed with) -- as he sought world domination.

Therefore, for these and other reasons, Hitler made sure that his children were kept as impoverished and disadvantaged as practically possible. Such poverty also helped to keep such children more dependent on him, more docile, and more pliable as well.

(9) Hitler used a propaganda program

Hitler built up a effective propaganda program in order to make sure that Hitler's (and only Hitler's) ideas were advanced. Through the effective use of organized propagandizing and lying efforts, a false view of Hitler and his war efforts was always doled out to his kids. What "really went on", (such as Hitler's constant lies and deceptions and Hitler's persecution of Jewish families or anyone else who might have dared to disagree with Hitler about anything), was always kept carefully hidden from view.

The false image of smiling and happy Germans dutifully following and cheering their leader, helped to fool many gullible "visitors" to Hitler's rallies. (This did not fool Churchill, however.) Through the use of such deceit, Hitler's propaganda efforts were quite effective in enabling him to "spin" the truth into a lie. (Hitler was a very effective and proficient "spin doctor".)

(10) Hitler installed "spies" within these ranks of children

Hitler's children were taught to distrust each other and to only trust Hitler. Any person deemed "suspect" was to be immediately reported to Hitler or one of his assistants by letter, phone call, or through other means, so that such "rebels" could be effectively "dealt with". (This was another theme of the "1984" book as well.)

No one was to ever actually trust anyone other than Hitler. A child would therefore turn in his or her best friend to be "disciplined", if such a friend was at all suspected of committing the "thought crime" of disagreeing with any of Hitler's personal opinions or ideas.

(11) Hitler wrote books and other propaganda materials to promote his views

The book "Mein Kampf" was one of Hitler's most famous works. Through use of this and other books and writings of his, Hitler was able to present his views to the children under his authority. Such children were expected to read these books, and therefore to absorb his lies into their young and impressionable minds. Such writings therefore greatly helped Hitler in his goal of brainwashing and controlling these children.


There were many other methods Hitler used to effectively gain and hold control over his youth. Hitler always liked the ideas of political control and mind control. (Hitler was what we now call a "control freak").

Hitler took away those kids' rights, so that he could gain yet more power, control, and money in his quest for world domination. Nevertheless, despite his many lies, deceptions, and claims to the contrary, Hitler was really only concerned about Hitler.

If millions of children never grew up and got married, always lived lives of poverty, or died in obscurity, serving Hitler week after week on the battlefield, that was all fine, as long as Hitler himself benefited personally from such deprivations suffered by these youths. Such is the great evil that can come from one deranged man lacking self control, love for others, and the fear of either God or man.